During the chapter with Rebecca we see this new dynamic being displayed in front of the character, this dynamic was represented by two women who had a meaningful relationship together and simultaneously wanted him to become a part of them. But again the main character still saw things in matters of black and white, and in his mind his presence within that relationship would only damage it. But at the same time that all this is occurring we are seeing a shift within the character where he faced his own mortality. The main character talks about the many close encounters or the close calls he had in previous occasions. But what made that very last one so unique was that at that point in the main character’s life he actually had something valuable to lose. By that point in his life he was starting to see himself as an individual with self-worth and value. He was no longer just a medic, or a warrior, or a killing machine, at this point in his life he was actually seeing himself as a. He heard shrieks of pain and terror and saw a small urchin dressed in rags with tears streaming down her dirty cheeks. He tried to see what it was the small child focused on to cause such distress, but couldn’t see. Suddenly the small bedraggled child turned and ran as if the hounds of hell chased her. She ran down the crowded street, dodging men in uniform and for one so slight in stature, she seemed indeed strong, for she managed to elude the men and disappear as if she had never been there. Rayne awoke a sheen of sweat on his body, soaking the sheets he lay on and there was an uneasiness upon him that he just couldn’t seem to shake. A bath and breakfast would return him to normal, or so he thought. But as the morning wore on, the unease only increased, and when he could stand it no longer with an oath, he left the house and took a his horse to Gabriella’s house. Maria answered his urgent knock, and with one look at Rayne, she made the sign of the cross, and swore, ‘Dios mio’.
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